November 4 2009 / 18 Comments
Arca Swiss M Line Two
I’ve been working with Arca Swiss’ newest camera for about three months now and I’ve got to say, I’m pretty damn enamored with this thing! I’ve gotten a chance to use most of the major manufacturer’s cameras over the years… Sinar, Horseman, Linhoff, and Toyo but when I decided to buy my first 4×5 some 15 years ago, it was the Arca Swiss F Line that I settled on. The F Line is a lightweight, perfectly ergonomic camera and it served me quite well for most of my career. When it came time to dispense with film and move over to shooting with a digital back, though, it became clear that my well worn F Line was not going to be ideal.
A high end digital back is a very demanding mistress. Any slop in the camera’s movements will make achieving sharp images a most frustrating endeavor. While tilts and swings can still be helpful in getting the most out of the new digital lenses, you definitely want to start from a base that is as true and square as possible. Also, the diminutive size of the medium format sensors (compared to 4×5 film) creates a need for geared movements, if one seeks exacting composition. The sensor size also means that architectural shooters are having to employ far wider lenses than they ever carried to accomplish the same fields of view. This last point is a killer. Very few existing view cameras can actually get the standards close enough together to focus anything wider than a 47mm. With all of these requirements, it’s little wonder that a lot of shooters have turned to the “plate” cameras offered by Cambo, Alpa, Sinar and Arca. Personally, I’ll always be a view camera kind of guy and the plate cameras just don’t offer the same versatility or long lens capability.
It looked like I was going to have to wait for one of the manufacturers to step up and design a ground up digital view camera from scratch. As it turns out, Arca Swiss didn’t have to. Their exisiting M Line 69 already solved most of the problems with digital shooting with it’s decades old design. The thing was rock solid, fully geared and any lens you put on the front could actually be racked far enough back to touch the ground glass, focusing wide lenses was NOT going to be a problem. The price for having fully geared movements on both standards, though, was weight. At 9 1/4 pounds, this was not going to be a viable location camera. It turns out though, that the Arca designers were busy last year redesigning the M Line to become THE digital view camera… even more precise, lighter in weight and a good amount less expensive. When the M Line Two was announced I became very excited.
The new camera is just under 4 1/2 pounds, with exquisitely geared movements and retails for around $4500US. The front standard carries only the swing and the Orbix base tilt while the rear does all the shifts and rise (70mm for both). By separating the movements, Arca has been able to drop a lot of weight while increasing the precision of the design… if the back can’t swing it’s just that much more likely to be square to the front.
With my P65+’s roughly 54mm x 40.5mm sensor I don’t often need to shoot any wider than 35mm, but I’m sure that the widest lenses on the market, Rodenstock’s 23mm and Schneider’s 24mm will give the Arca no problems. In one of my photos below, you may be able to see that the rear flange of my 35mm lens can actually extend beyond the opening of the rear standard.
I should also mention that the camera can be purchased as a DSLR solution. I have added this accessory to my kit, which allows me to remove the rear format carrier and replace it with my Nikon D3. The depth of the DSLR cavities prohibit using some of the wider lenses, but I love having all of my equipment fully integrated.
The light weight of the M Line 2 makes it a very usable field camera, while the gearing guarantees extreme precision with today’s high end backs. I prefer to break down my view cameras for travel and I can fit the Arca, 6 lenses, sliding back and accesories into a Pelican case that weighs in at just under 28 lbs.
Some recent shots from our trip up to Michigan with Dom from Wheeler Kearns.
The keen eyed amongst you will notice that I went with Kapture Group’s sliding back. While I think the Arca Rotaslide is beautifully designed and more convenient to work with, I like the smaller size of the Kapture Group slider and it’s ability to mount a Hasselblad viewer (mine’s for an SWC).
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18 Comments
Chris – Just dropped by – great review on a great system.
Don
hi,
with the 35, do you need the computer outside for checking the focus, or are you 100% shure without it ?
I pretty much do every shot tethered to the laptop. I believe I could shoot without and still be sharper than 4×5 film was, but the 100% view on a 17″ screen insures that I’m getting the most out of my system.
Hi Chris
Do you feel that you miss front rise/fall and shit and rear swing or tilt. I am comparing this to the std M-line.
Can you describe what the functionality of each knob
Regards
I never used swing / tilt on the rear and there seems to be enough movement to cover any application I’ve come up against. A standard M Line should work quite nicely too, but at twice the weight!
Thanks Chris
Do you mind me asking, how long is the rail, is ist 25cm?
It is a 25cm rail, which is just long enough to focus a 135mm lens. I’m considering picking up the 30cm telescoping rail, but I so rarely shoot longer than a 90.
-C
Hello,
where exactly lies the difference between using a (for example) F-metric with a digital back and using the M-Line two mf with an digital back (except the wight reduction)?
thnak you
-Oliver
Oliver,
Actually the F Metric and M Line 2 are similar in weight. The M Line, though, is a much more robust platform, more rigid and I suspect more likely to stay square. Also the M has a geared swing where the F Metric uses a manual swing and may or may not have the Orbix tilt. I like the F Metric, but I think the M is a better camera overall.
-C
Hi Chris,
Are you able to re-mount existing lenses onto an Arca Swiss board and able to obtain accurate focus on your digital back? or did the factory supply all your lenses?
Have you encountered any mounting or focusing problems with lenses wider than 28mm?
I’m not familiar with the RotaSlide so what do you mean its more convenient than the Kapture Group back?
Do you need the Extra Wide angle bag bellows for the 28 and 23mm lenses?
Who was your dealer for this camera? as I’m based in NZ.
Thank You
Michael
Michael,
The rotaslide actually has a rotating mount that you can just swivel by hand. With the Kapture Group sliding back if you want to switch from a horizontal to a vertical composition, you have to remove the digital back from the slider and reinsert it at 90 deg to the previous position. The Rotaslide allows you to reorient the composition without the possibility of getting dust on the sensor.
All of my lenses were already on boards, as I was previously using an Arca 69 F Line. There was no need to remount them. I use a 7mm recessed board for the 35mm to allow it to focus on the sliding back. You do need to use the super wide bellows to focus the wide lenses, but that bellows will also go as long as a 135mm lens, so it may be the only bellows you need. I haven’t tried lenses wider than 35mm as they do not cover my P65+. I anxiously await Schneider’s new 28mm which is rumored to have an image circle of 90mm.
I’d contact Diane at Arca to find out where to order from… arcaswiss@aol.com.
I’m a dslr shooter and not yet familar with full movement functions, but my question concerns how could the camera be recomposed for portrait operation? By apperance the dslr camera mounts landscape format only.
Larry
Larry.
While Arca doesn’t make an L-Mount bracket, you could use a Really Right Stuff bracket to get you to portrait.
http://reallyrightstuff.com/QR/05.html
This is also interesting…
http://www.skgrimes.com/thisweek/8-28-06/index.htm
wow your work is just amazing!
i was thinking about getting your camera with a 23mm lens and a nikon d3x adaptor do you think that will work?
Thanks for the compliment. I don’t believe that 23HR, even though it’s retrofocus is going to give you enough distance to focus on the Nikon sensor. Schneider has a new 28mm in the works, and I do believe it’s going to work. I plan to purchase it for use with my P65+ anyway and will report on how it works with the Nikon.
p65+ you the man!
def keep me posted
Great looking camera. I had a play with it and the Rm3d at arca before xmas. Something I didn’t notice but which seems apparent in your images is that the zero point of the front and rear standards are no longer in the “middle” of the camera. Although this isn’t a huge issue for most work, it does affect some of my work to an extent where I don’t think I can purchase this new one as an upgrade. The reason being I won’t be able to shoot panoramic images around the nodal point of the lens (as it is unable to shift) and also won’t be able to position the lens at the centre of the tripod (for planning photography).
You’re correct on the rotation issue, Nick. I wonder if the previous iterations of the M Line have a centered lens? Fortunately for me this has no impact on my work. If I were doing what you are, I’d probably go for an Rm3d and a RRS pano head.
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